Japan, mid 20th century
Lacquer, mother-of-pearl, bone inlay, [dimensions]
Very good condition (one minor crack in the lacquer).
A finely executed Shibayama lacquer panel depicting hydrangeas, a perched bird and delicate insect, against a deep black ground. The composition is measured and restrained, with generous areas of negative space allowing each element to breathe.
The black lacquer functions not merely as background but as structural void, embodying the Japanese aesthetic principle of wa – harmony achieved through balance and proportion. The arrangement unfolds with calm deliberation, avoiding excess while maintaining quiet visual rhythm.
Shibayama technique – the intricate inlay of mother-of-pearl and bone into lacquer – introduces subtle tonal variation and controlled luminosity. The iridescence of shell contrasts with the density of the ground, creating depth without ornament.
Material refinement is held here in disciplined – almost poetic – compositional balance.
Japan, mid 20th century
Lacquer, mother-of-pearl, bone inlay, [dimensions]
Very good condition (one minor crack in the lacquer).
A finely executed Shibayama lacquer panel depicting hydrangeas, a perched bird and delicate insect, against a deep black ground. The composition is measured and restrained, with generous areas of negative space allowing each element to breathe.
The black lacquer functions not merely as background but as structural void, embodying the Japanese aesthetic principle of wa – harmony achieved through balance and proportion. The arrangement unfolds with calm deliberation, avoiding excess while maintaining quiet visual rhythm.
Shibayama technique – the intricate inlay of mother-of-pearl and bone into lacquer – introduces subtle tonal variation and controlled luminosity. The iridescence of shell contrasts with the density of the ground, creating depth without ornament.
Material refinement is held here in disciplined – almost poetic – compositional balance.
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